The texts for today’s homily are from Guys and Dolls and The Little Mermaid. Our first subject is Big Jule (alternatively pronounced, depending on the production, "jool" or "julie"), the enormous and imposing gangster from Chicago. Big Jule has come to town, flush, looking for a high-stakes crap game. Near the end of the musical, that game comes to a climax in the local sewer. After some unfortunate early losses, Big Jule has removed his coat and, with his revolver gleaming in plain view in his shoulder holster, pulls from his pocket his special “lucky dice.” These dice appear to everyone else to have blank faces because, Big Jule reveals, they have spots that only he can see. Miraculously, Big Jule’s luck turns, and he wins several big bets. When some of the other gamblers complain, Harry the Horse helpfully explains that “Big Jule cannot win if he plays with honest dice.”
Later that evening, disarmed and on the losing end of an unconventional bet with Sky Masterson, Big Jule finds himself obligated to attend a revival meeting at the Save A Soul Mission. Compelled by his bet to participate in the meeting and confess his sins, Big Jule makes a clean breast of it: “I used to be bad when I was a kid. But ever since then I gone straight, as I can prove by my record — 33 arrests and no convictions.” The prayer meeting is, improbably, a success; lovers are united; and everyone lives happily ever after. Big Jule presumably returns to Chicago to resume his blameless life.
I hope you’re smiling. Now I’m going to ruin everything by explaining why this wonderful story is funny. (A quick editorial aside before we begin: Guys and Dolls is not timeless in every respect, of course. It includes gender stereotyping and other cultural assumptions that, from our 21st-Century vantage, seem not-all-that-quaintly anachronistic. But the features of the story that I have excerpted above seem sufficiently salient to the matter at hand that I think we can make good use of them here.) Once again, the heavy lifting begins after the jump.